Under the banner of Varalakshmi Pappula’s presentation, producer Kanakadurga Rao Pappula and director Bhanu bring a refreshing love story to the big screen with Premisthunna.
The film stars Sathvik Verma and Preethi Neha in the lead roles.With post-production wrapped up, Premisthunna is all set to release in theatres on November 7.
On this occasion, the film’s trailer was unveiled by the team, generating excitement among youth and film lovers.
Director Venky Atluri, while congratulating the team, said, “The trailer of Premisthunna looks excellent.
I sincerely wish the film becomes a big success and brings great recognition to Sathvik Verma, Preethi Neha, director Bhanu, and producer Kanakadurga Rao.”Recently, the makers released Soul of Preminsthunna, a 56-second glimpse that has been trending among young audiences. The trailer hints at a pure love story that promises to touch hearts.
Sathvik Verma and Preethi Neha are said to have delivered strong performances, portraying their characters with depth and emotion.
Director Bhanu shared his insights about the film, saying, “Premisthunna is based on unconditional love. I believe Telugu audiences haven’t seen such an honest portrayal of love in recent times.
The songs, performances, and overall emotional tone make it a beautiful love story.
The response to our trailer has been overwhelmingly positive, which gives us immense confidence ahead of the release.”Premisthunna is described as a musical love story crafted for modern audiences.
The film’s cinematography is handled by Bhaskar Shyamala, dialogues are written by Anil Kumar Achugattla, editing is by Sirish Prasad, and the film’s executive operations are managed by Marri Ravi Kumar.
The songs and promotional content have already earned strong appreciation online, with the trailer crossing a million views on YouTube.
A romantic thriller titled Ugly Story, starring Nandu and Avika Gor in the lead roles, is gearing up to hit the big screens on November 21.
The film is produced by C.H. Subhashini and Konda Laxman under the banner of Riya Zia Productions, with Pranav Swaroop taking charge as the writer and director.
Ugly Story features cinematography by Sri Saikumar Dara and music composed by Shravan Bharadwaj, while editing is handled by Srikanth Patnaik and Mithun Soma. The film has already built strong anticipation with its title glimpse, teaser, and songs receiving encouraging responses from audiences and on social media platforms.
Blending elements of love and suspense, Ugly Story promises to deliver a gripping romantic thriller experience. The cast also includes Ravi Teja Mahadasyam, Shivaji Raja, and Pragnya Nayan in pivotal roles.
With promising visuals, soulful music, and an intriguing storyline, Ugly Story is set to bring a fresh flavor to Telugu cinema’s romantic thriller genre this November.
Senior Telugu film industry PRO Dayyala Ashok has achieved a notable milestone by winning the Hyderabad Press Club elections and being elected as an Executive Member of the organization.
With decades of dedicated service to the Telugu film industry, Dayyala Ashok is widely recognized for his professionalism, strong media relations, and consistent support to movie promotions and publicity campaigns. His success in the Press Club elections is being celebrated by several film journalists, PR teams, and industry colleagues.
On this special occasion, the film fraternity extended heartfelt congratulations to Dayyala Ashok, appreciating his continued commitment to the growth of media relations and film publicity in Telugu cinema.
Congratulations to our Loka Chitra Supporter and We’ll Wisher Dayyala Ashok on this well-deserved recognition and leadership role at the Hyderabad Press Club.
After completing his acting course at the Balu Mahendra Film Institute, Arun Rayadurgam discovered his true foundation not in front of the camera, but on stage.
Choosing the path of a freelancer, he immersed himself in Tamil Nadu’s vibrant and evolving theatre culture — a space that shaped both his craft and identity as an actor.
In his early days, Arun worked closely with some of the most respected names in theatre, including Bagu, a well‑known creative force. He also performed in stage productions curated by Veli Rangarajan, the editor of the popular Tamil theatre magazine Veli.
Another defining chapter in his journey came through his collaboration with veteran playwright and filmmaker Arulmozhi Sivaprakash.
Sivaprakash introduced Arun to Bagu, marking the start of a long‑lasting creative relationship that deeply influenced his artistic growth.Over the years, Arun became an integral part of the acclaimed theatre troupe Thinai Nilavasigal.
Under Bagu’s direction, he performed in several notable plays that tackled contemporary social issues. Deeply committed to the idea of theatre as social dialogue, Arun also took part in street theatre performances across India — connecting with people, communities, and their stories directly.
He firmly believes that acting should not be confined to auditoriums; it should live wherever people do.A highlight in his journey was the unwavering support of acclaimed actor Nasser.
He generously offered his Chengalpattu farmhouse as a rehearsal space for the troupe, creating a nurturing environment for emerging artists like Arun. That mentorship and encouragement allowed many young performers to explore their creative depth with confidence.
For Arun Rayadurgam, theatre has never been just a stepping stone — it has been a way of life. The discipline, honesty, and humility he learned from the stage continue to define his approach to acting today. He stands as a reminder that true artistry grows not from shortcuts, but from sincerity, collaboration, and an enduring respect for the craft.
“Ummadi Kutumbam” – A Family Classic Released on April 20, 1967, Ummadi Kutumbam stands tall as one of Telugu cinema’s most meaningful family dramas—jointly produced by Ramakrishna and N.A.T, directed by visionary filmmaker Dasari Yoganand, and presented under the banner of Ramakrishna–N.A.T. Combine.
On completing 58 glorious years this April, this cinematic gem reminds us once again of the deep-rooted values of joint family life, a concept that feels even more vital in today’s rapidly individualistic times.
At Arava Bioscope, we take pride in revisiting masterpieces that mirror the social fabric of their era. Ummadi Kutumbam is one such cinematic mirror that reflects the beauty of collective living, affection, and emotional bonding within a traditional Telugu household.
The Opening Scene – A Stage Within a ScreenThe film opens with a remarkable meta-theatrical scene set outside Vahini Studios, showcasing a dramatic stage play titled Sati Savitri.
Inside this open-air theater set, we witness Gadusumilli Ramayya in the role of Yama Dharma Raja, a role portrayed with commanding presence by N.T. Rama Rao.
Alongside him appears Rajababu as the humble Satyavan, with Vani Sri bringing alive the character of Savitri. Though her screen time here is brief, Vani Sri’s expressive acting left an early impression that paved her journey to become one of the most beloved leading ladies of Telugu cinema.
Inspired by her portrayal, K. Shankar Reddy later recreated Sati Savitri in 1978 with NTR once again in the lead—a beautiful coincidence that ties the two films together across a decade.
The Performers Who Defined an EraThe film also features a heart-stirring scene where NTR and Savitri appear as brother-in-law and sister-in-law (maradalu–vadina), showcasing their effortless chemistry and dramatic brilliance.
If we are to speak of brilliance, one cannot pass without dwelling upon Savitri’s extraordinary artistry.
The moment the director called “Action!”, she transformed—her eyes, expressions, and subtle gestures magnetically drawing the audience in.
Through her role as a modest daughter-in-law, she embodied a natural grace and quiet strength that lived and breathed every nuance of a traditional Telugu woman.
Savitri didn’t merely act; she became the character. With just a glance, a shy smile, or a soft word, she mesmerized the camera like no other. Truly, she was the one unmatched Mahanati—the immortal queen of emotion.
And then there was NTR—majestic yet tender, dignified yet humble. Even as the senior-most star on set, he blended seamlessly with the younger cast, proving that true greatness lies in collaboration.
As the youngest son “Ramu” in the story, NTR breathed life into the character—a man simple by education, yet rich in heart; a lover of stage plays, always caught between art and family duty. His interactions with Vani Sri, Rajababu, and others revealed his generosity as a co-actor and his unmatched leadership as an artist.
The Heart of the Story – One Mother, Four Sons
The story, as the title suggests, revolves around a joint family—a mother with four grown sons:The eldest, Nagayya, a humble office clerk, married to a strong-willed Gauri (Surya Kantham).
The second, Chandram (S.V. Ranga Rao), a farmer married to the spirited Kantham.The third, Dr. Mukundam (Prabhakar Reddy), who falls into the temptation of city life, neglecting his wife Rama (Savitri).
And the youngest, Ramu (NTR), a kind soul with a passion for drama, played opposite Krishna Kumari.
As misunderstandings tear the family apart—love turns cold, egos clash, and hearts break—the aged mother watches helplessly as the home she built crumbles. Seeing this pain, Ramu decides to take matters into his own hands.
His journey to the city leads him to the wealthy Sarada, whose father, a zamindar, recognizes Ramu’s noble heart. What unfolds is a chain of heartfelt revelations and reconciliations where truth, kindness, and familial love triumph over misunderstanding.
By the end, all estranged members reunite, the mother’s heart finds peace, and the story closes on a soulful note of harmony.
The Team Behind the Classic
The film’s stellar cast included Relangi, Surya Kantham, S.V. Ranga Rao, Prabhakar Reddy, Savitri, NTR, Krishna Kumari, Vani Sri, Rajababu, Hemalatha, Allu Ramalingaiah, and many more.
Written by Samudrala Jr., the songs penned by C. Narayana Reddy, Kosaraju, and Samudrala Jr. remain evergreen hits. T.V. Raju’s music lifted the soul of the film, complemented by Ravikant Nagaich’s cinematography.
The musical landscape was rich and melodic—songs like the legendary “Povuchunnava O Yama Dharma Raja” rendered by Ghantasala and P. Suseela became instant chartbusters, while NTR’s dances with L. Vijayalakshmi in “Hello Hello My Dear Hello” and “Chethiki Chikkave Pitta” had audiences applauding in delight.
Legacy and Global Recognition
Ummadi Kutumbam celebrated 100 days in over 17 centers, even running 197 consecutive days at the Durga Kala Mandir Theatre in Vijayawada—a monumental record at the time.
The film also earned international acclaim, being screened at the Moscow Film Festival in 1968.
Today, as we look back at Ummadi Kutumbam’s glorious journey, we are reminded not only of its cinematic excellence but of the values it upheld—love, unity, humility, and forgiveness.
It remains a glowing tribute to NTR’s genius—an actor, storyteller, editor, and director who defined the golden age of Telugu cinema.
Vidrohi, an upcoming suspense crime thriller directed by V.S.V., is all set for a grand theatrical release tomorrow, on October 24.
The film features Ravi Prakash, Shiv Kumar, Charishma Sreekar, and Saikee in lead roles, and is produced by Venkata Subrahmanyam Vijjan under his home banner.
The movie’s promotional journey has already created a strong buzz across social media and industry circles. The first look was unveiled by actor Srikanth, the first song by star filmmaker V.V. Vinayak, and the second song by composer R.P. Patnaik, each receiving impressive responses. Recently, comedy king Allari Naresh launched the movie’s official trailer, further boosting anticipation.
“We’re thankful to Allari Naresh garu for releasing our film’s trailer and extending his best wishes. Earlier, Srikanth garu, V.V. Vinayak garu, and R.P. Patnaik garu supported us wholeheartedly.
Receiving this kind of encouragement from respected figures in the industry means a lot to our entire team.”Director V.S.V. added,
“The first look received tremendous appreciation, while both songs are trending with positive feedback.
The trailer launch by Allari Naresh garu has given the project new energy. Ravi Prakash and Shiv Kumar delivered remarkable performances, and every character in the movie carries depth and relevance.
Vidrohi explores a unique concept that’s never been portrayed on Telugu screens before.”Cast:
Lag Jaa Gale (2026): Tiger Shroff as Villian, Janhvi Kapoor, and Lakshya as Hero-Heroine and all Team Up for Dharma’s Big-Budget Revenge Drama?
Lag Jaa Gale (2026), A major action-packed collaboration is on the horizon as Lakshya, Tiger Shroff, and Janhvi Kapoor come together for Karan Johar’s next big Dharma Productions film, directed by Raj Mehta. Tentatively titled Lag Jaa Gale (2026), the film blends high-octane action, intense drama, and emotional storytelling — a combination that signals a refreshing shift for all its leads.
Powerhouse Collaboration
Produced by Karan Johar under Dharma Productions, this project marks the reunion of Karan and director Raj Mehta, previously known for films like Good Newwz and Jug Jugg Jeeyo.
The upcoming movie positions itself as a full-fledged action revenge drama with a strong emotional core.
According to reports, the film is set to feature a fierce face-off between Tiger Shroff and Lakshya, with Janhvi Kapoor playing a pivotal role that bridges the emotional and dramatic layers of the story.
Story and Casting Dynamics
The narrative reportedly centers around a revenge saga — a shift from Mehta’s signature comedy-dramas to a darker, grittier territory.
Tiger Shroff, known for his martial arts finesse, will reportedly play a character with grey shades, possibly even an anti-hero — a bold reinvention that fans have long awaited.
Lakshya, fresh from his success in The Ba*ds of Bollywood and Kill, is said to stand opposite Tiger in what many insiders are calling a “battle of equals.” Janhvi Kapoor, on the other hand, continues her successful streak with Dharma, adding another key collaboration to her portfolio following Mr. & Mrs. Mahi and Sunny Sanskari Ki Tulsi Kumari.
Production Timeline and Release Plans
Filming for Lag Jaa Gale is expected to begin in November 2025, with a large-scale theatrical release planned for the second half of 2026.
The project, originally conceived as Karan Johar’s directorial, will now see Raj Mehta infusing his distinct blend of mass appeal with narrative drama.
The film’s preparations are reportedly in their final stages, with choreographed action sequences set to meet the cinematic standards synonymous with Dharma movies.
Industry Buzz and Expectations
Industry insiders believe this film could mark a major turning point for both Lakshya and Tiger Shroff. For Lakshya, it’s a defining opportunity to cement himself among Bollywood’s new-gen mainstream leads.
For Tiger, it’s a chance to reconnect with audiences through a more layered, acting-driven performance alongside his well-known action skills.
Meanwhile, Janhvi Kapoor’s inclusion guarantees the film’s glamour quotient and emotional weight, ingredients that could make Lag Jaa Gale one of 2026’s most anticipated commercial blockbusters.
In short, with its power cast, revenge-driven narrative, and Karan Johar’s signature production scale, the Lakshya-Tiger-Janhvi film is shaping up to be one of Dharma Productions’ boldest ventures yet — one that promises cinematic adrenaline and emotional firepower in equal measure
The K-Ramp Rampage Blockbuster Meet, held yesterday in Hyderabad, turned into a high-energy celebration of success for the latest Telugu hit “K-RAMP.”
The event brought together the film’s team and several industry personalities, radiating the same enthusiasm and grit that earned the movie its striking reception.
Hero Kiran Abbavaram’s Emotional Speech
Kiran Abbavaram, who led the film’s charged narrative, delivered a powerful and heartfelt speech that resonated with fans and the film fraternity alike. He thanked audiences for transforming “K-RAMP” into a festive Diwali hit despite its mixed start.
Speaking with genuine emotion, he praised director Jains Nani for believing in unconventional storytelling and promised to continue choosing roles that challenge him as an actor and connect deeply with audiences.
Producers Razesh Danda and SKN set the mood with their riveting speeches, exuding pride over how the film evolved into a “rampage at the box office.” Razesh Danda, in particular, shared his joy about the collective effort put forth by every department—right from cinematography to music—and lauded the audience’s energy that made the success possible.
Director Jains Nani expressed how the film’s emotional beats and high-voltage moments found a voice through Kiran Abbavaram and Yukti Thareja’s performances.
The camaraderie on stage highlighted the trust and harmony that powered this collaborative success.
Glamour and Gratitude
Leading lady Yukti Thareja radiated grace and gratitude during her brief but memorable speech. She said that working on K-RAMP felt “like being part of a passionate storm,” and expressed admiration for Kiran Abbavaram’s energy both on and off-screen.
The film’s music director Chaitan Bhardwaj, whose soundtrack became a talking point among fans, shared his excitement about how audiences embraced the film’s youthful beats and intense background score.
A Star-Studded Evening
The event saw respected guests from Tollywood, including producer Dil Raju, director Sreenu Vaitla, and filmmaker Sai Rajesh, who applauded the team’s dedication and enthusiasm.
The Q&A session with the media shed more light on the filmmaking journey, with Kiran confidently addressing critical perspectives and emphasizing the spirit of constructive growth.
Yesterday’s K-Ramp Rampage Hit Press Meet wasn’t just a success party—it was a heartfelt reunion of creativity, resilience, and gratitude.
The cast and crew reflected the pulse of today’s Telugu cinema, where energy meets emotion and box office success meets artistic conviction.
With this event, Kiran Abbavaram and team didn’t just celebrate a film—they celebrated a movement.
C. K. Nagesh, whose full name was Cheyur Krishnarao Nageshwaran (born September 27, 1933 – died January 31, 2009), was one of South India’s most celebrated comedians and character actors, acclaimed for his mastery of expression, timing, and emotional depth in acting.
Early Life
Nagesh was born in a Kannada Brahmin family in Dharapuram, Tamil Nadu (not Cheyur, Karnataka, as sometimes misreported). His parents were Krishnarao and Rukminiamma. After completing his education, he moved to Chennai seeking opportunities.
He initially worked as a clerk with the Indian Railways before quitting to pursue his passion for acting on stage.
From Stage to Silver Screen
Having started out in amateur theatre, Nagesh soon became a stage sensation thanks to his sharp comic timing and ability to blend humor with human emotion. His breakthrough came with the 1965 film Server Sundaram, directed by K. Balachander, in which he played a humble restaurant waiter who dreams big.
The film’s success made Nagesh a household name across South India and remains one of Tamil cinema’s timeless classics .
He went on to act in over 1,000 films across Tamil, Telugu, Malayalam, Kannada, and Hindi languages between 1958 and 2008.
Collaborations and Range
Nagesh shared screen space with almost every major South Indian star — from M.G. Ramachandran and Sivaji Ganesan to Kamal Haasan, Rajinikanth, Vijay, and Ajith Kumar — effectively bridging multiple generations of cinema.
While known predominantly for comedy, he also delivered powerful performances in dramatic and villainous roles, such as Ethir Neechal, Thiruvilayadal (as the poet Dharumi), and Apoorva Sagodharargal (where he played a villain opposite Kamal Haasan).
Nagesh appeared in several Telugu films, including Server Sundaram, Soggadu, Justice Chowdary, Kondaveeti Simham, Tammudu, and Dasavatharam (his last film, released in 2008).
Later Life and Passing
Despite career highs, Nagesh endured various personal and financial struggles, including failed investments in real estate and theatre business ventures. Known for his humility and resilience, he never allowed hardship to overshadow his artistry.He was married, had three sons, including actor Anand Babu.
Nagesh passed away in Chennai on January 31, 2009, at the age of 75, due to cardiac arrest following a prolonged illness.
Remembrance
Remembered as the “Jerry Lewis of India,” Nagesh’s comedy style—marked by physical agility, expressive eyes, and emotional undercurrents—transcended language barriers.
He not only made audiences laugh but often touched their hearts, embodying the rare gift of blending humor with humanity. His legacy in Indian cinema continues to influence generations of performers, reminding audiences that laughter and empathy can coexist on screen.
Palleturu (1952) Released on October 16, 1952 (Thursday), Palleturu stands as a landmark creation by People’s Art Productions.
The film was produced by P. Shivaramaiah and marked the directorial debut of Tatineni Prakash Rao, who would later go on to become one of Telugu cinema’s most revered storytellers.
The music was composed by the legendary Ghantasala, with the story and dialogues penned by Vasireddy Bhaskara Rao and Sunkara Satyanarayana.Songs That Echoed Through Generations
The film’s soundtrack resonates with poetic depth and patriotic fervor:
Cheyetthi Jai Kotthu Telugoda — Ghantasala, Madhavapeddi, MS Rama Rao, Sangeetha Rao, Vakkalanka Sara troupe.
Lyrics by Vemulapalli Srikrishna.
Polalanannī Halaladunni Ilaatalamulō Hemam Pandaga — Ghantasala, MS Rama Rao, Pithapuram, Madhavapeddi and chorus.
Written by Sri Sri.
A Manasulona A Choopulona Parugulettē Mridula — Ghantasala. Lyrics by Sunkara Satyanarayana & Vasireddy Bhaskara Rao.
Aa Sankrāntiki Ee Sankrāntiki Enta Vibhedamō — Ghantasala, MS Rama Rao.
Āndhrudā Levarā Āndhrudā Birāna Levarā — Ghantasala and chorus.
Āsha Nirāshaipoyinadi Nā Āsha Nirāshaipoyinadi — P. Leela.
O Mithāri Dil Kathāri Nannu Cheravē — Ghantasala, T. G. Kamaladevi.
Kōrinadistādu Annayya Kōrinadistādu — Rajeshwari.
Desasēvakula Hridayam Navaneeta Tulyamāhridayam — P. Leela.
Rāmaharē Śrīrāmaharē Rāmaharē Yani Palukavē — Ghantasala and chorus.
Rājunurā Nērājunurā Nā Sarasuna Nīvevadēvurā — P. Leela, Rajeshwari.
Palleturu is more than a film—it is a portrait of agrarian life in post-independence Andhra, a cinematic hymn to hard-working farmers and their social struggles. With its thought-provoking lyrics, stirring performances, and Ghantasala’s timeless music, the film became a cornerstone in Telugu cinema’s journey toward realism and social consciousness.
The echo of Cheyetthi Jai Kotthu Telugoda still rings as a proud salute to the Telugu spirit, celebrating the enduring identity of a people grounded in simplicity and honor.
