Hyderabad, October 5: The poster of Happy Journey, an upcoming bilingual emotional entertainer, was officially unveiled by Union Minister Bandi Sanjay Kumar.
The film is being made in both Telugu and Hindi under the banner of Future Bright Films.About the FilmHappy Journey stars Hariprasad Kone and Ishani Ghosh in the lead roles, directed by Chaitanya Konda and produced by Gangadhar Peddakonda.
The film, which recently completed its shooting schedule, is currently in post-production. The team recently released the patriotic single Vandemataram, which has received an enthusiastic response from the audience.
Producer’s StatementProducer Gangadhar Peddakonda shared his excitement, saying, “We are proud to be making Happy Journey in Telugu and Hindi languages. It’s a unique story set against a patriotic backdrop.
The overwhelming response to our Vandemataram song has been heartening, and we are confident that this film will connect deeply with the audience. We hope Telugu movie lovers will embrace our effort wholeheartedly.”
Director’s InsightDirector Chaitanya Konda added, “Some films come once in a while and leave a lasting emotional impact. When I was young, Major Chandrakanth left a deep impression on me; later, Khadgam inspired me after I entered the industry.
Happy Journey has the same intensity and emotional depth. I believe audiences will definitely relate to its soul and message.”
Cast and Crew:
The film features Duvaasi Mohan, V6 Satya, Sanjay Rayachoor, and Anand Bharti in key supporting roles.
The technical crew includes:
Producer: Gangadhar Peddakonda
Director: Chaitanya Konda
Music: Chaitanya Raj
Director of Photography: Y. Arun Kumar Gnanavel
Editor: Kondaviti Ravi Kumar
Art Director: Vasu
Digital Marketing: KK Digital
Release Schedule
Happy Journey is slated for a theatrical release at the end of October 2025.
Pramod Shetty, Rakesh Poojari, Prakash Thuminad, Deepak Rai Panaje, Hariprashanth M G, Shaneel Gautham, Naveen Bondel.
Cinematographer: Arvind S. Kashyap
Music director: B. Ajaneesh Loknath
Editing: Suresh Mallaiah
Producer: Vijay Kiragandur, Chaluve Gowda
Written & Directed by:Rishab Shetty����
Kantara Chapter 1, After the phenomenal success of Kantara (2022), the prequel arrives amidst immense expectations as fans anticipated a deeper dive into mythological folklore, daivas origins, and the roots of ancestral conflict in the legendary forests of Kantara. Despite slower advance bookings compared to other big releases, it is still one of 2025’s most hotly awaited films, especially with its global release timed for Dussehra and Gandhi Jayanti. The grand scale and narrative ambitions set the stage for another theatrical spectacle, aiming to answer mysteries left by the original film.
Story:
Set centuries before the original, Kantara Chapter 1 narrates the origins of the myth, tracing the clash between Kantara’s tribal leader Berme and the ambitious Bangra kingdom under King Kulasekhara.
As Berme and his tribe defy established power, they confront royal forces, struggle for their sacred land, and unleash the divine, with the film weaving themes of oppression, resistance, and ancestral spirituality through gripping folklore and spiritual elements.
Analysis:
Kantara Chapter 1 stands out for Rishab Shetty’s commanding performance, deeply rooted in myth and emotion.
Rukmini Vasanth embodies Kanakavathi with strength and subtlety, given more depth than female roles in the original film. Jayaram and Gulshan Devaiah add gravitas, with Gulshan’s portrayal of the wayward prince particularly impactful. The film excels during intense moments—especially the interval and climactic sequences—which deliver genuine goosebumps.
Nevertheless, the narrative is uneven: the pacing is inconsistent and some sections feel overly information-heavy, making the plot convoluted at times. The film rewards patience with a spectacular payoff, but the journey includes several draggy patches.
Technical analysis:
Technical brilliance is a highlight. Arvind S. Kashyap’s cinematography is stunning, expertly blending natural settings with elaborate set pieces; night scenes, action blocks, and mythic sequences are visually breathtaking.
B. Ajaneesh Loknath’s Carnatic-infused soundtrack supplies the heartbeat of the film, elevating divine sequences and fight scenes with nuance and emotional heft.
The editing by Suresh Mallaiah keeps the visual rhythm propulsive, though the film’s slow pacing does occasionally detract from immersion.
VFX is exceptional, especially in rendering divine spirits and forest creatures, with fire sequences and CGI animals standing out. Production and costume design weave an authentic period atmosphere.
OG (2025), directed by Sujeeth, features Pawan Kalyan, Emraan Hashmi, and Priyanka Arul Mohan in pivotal roles. This Telugu gangster drama has been a much-hyped release, riding on star power, stylized action, and a grand production vision. While the film mesmerizes with visual splendor and Thaman’s thumping score, it falters in emotional engagement, offering spectacle over substance.
Plot Summary
Centered on Ojas Gambheera (Pawan Kalyan), OG explores the violent labyrinth of gang wars and betrayals. Ojas returns from the shadows to reclaim his throne in the underworld, but faces formidable opposition led by Emraan Hashmi’s unpredictable antagonist.
As loyalty and power collide, the line between legend and man blurs, turning Ojas into both myth and prisoner of his own legend.AnalysisActing
Pawan Kalyan rules the screen with a magnetic presence, carrying Ojas as an almost mythical figure.
His silences hold weight, though the emotional depth feels restrained. Emraan Hashmi impresses with menace and nuance, bringing gravitas to his rival role.
Priyanka Arul Mohan offers a softer counterpoint but lacks space to shine.Direction
Sujeeth delivers grandeur and scale, leaning on operatic visuals and stylized set-pieces.
However, narrative pacing sags under the heavy weight of spectacle, leaving emotional threads undercooked.
Cinematography & Visuals
Ravi K. Chandran’s work is spectacular, painting the film with shadowy golds, deep blues, and heightened contrast. Every frame feels cinematic, often resembling a crafted painting. Action sequences are designed as visual operas.
Music
Thaman’s music drives the film’s energy, with pulsating rhythms and spine-rattling background score. His soundtrack intensifies confrontations, yet sometimes overwhelms more delicate moments. Still, it remains one of the film’s key emotional boosters.Script
The script is ambitious but uneven. While iconic moments land with impact, many story arcs remain thin and under-explored. Subplots feel abandoned midway, resulting in narrative discontinuity.Themes
At its core, the film questions power, loyalty, and the price of becoming myth. However, it hints rather than deeply engages, limiting thematic resonance.
Positives:
Stellar screen presence of Pawan Kalyan
Stylish performance by Emraan Hashmi
Striking cinematography by Ravi K. Chandran
Electrifying music by Thaman
Operatic action choreography
Visual grandeur with international appeal
Negatives:
Uneven screenplay and weak subplots
Over-indulgence in style over substance
Limited scope for secondary characters
Emotional depth sacrificed for spectacle
Inconsistent pacing across the narrative
Conclusion:
OG stands as a visual opera, pulsating with Pawan Kalyan’s charismatic energy, Thaman’s stirring music, and Ravi K. Chandran’s painterly cinematography. It succeeds in cinematic scale but stumbles in emotional resonance and cohesive storytelling. For ardent fans of stylized gangster epics, it delivers in spectacle. For viewers seeking layered narratives, it remains uneven.
A moving new Telugu song, “Erero Eero,” was unveiled at a special event in Hyderabad, hosted by Gandikota Creations and producer Srinivas.
The launch took place with Legislative Council Deputy Chairman Dr. Banda Prakash gracing the occasion as chief guest, adding prestige to the proceedings.Director Ghani Saida crafted the song around a powerful theme centred on a mother’s final moments, aiming to capture genuine human emotions.
The soulful music, composed by Durga Bahadur, blends beautifully with the visual storytelling and technical finesse provided by Rohith Bihari, who handled cinematography, editing, and sound design.Singer Chakri’s heartfelt vocals elevate the song’s narrative, while Varun Rangishetti’s poignant performance adds further depth to the visuals.
Dr. Banda Prakash, speaking at the event, praised the team for dedicating themselves to such an emotional project, wishing them success and lauding their hard work.Actor Karate Karthi shared that the song moved him to tears and commended how the actors embodied their roles, bringing a pan-Indian appeal to the video.
Abhay Naveen highlighted the producer’s commitment and the director’s ability to tell a story within five minutes, appreciating the technical team’s seamless execution.Ghani Saida, the director, thanked his producer and all collaborators for their unwavering support, dedicating the achievement to the entire cast and crew.
He reflected on his seven-year journey in the industry and expressed optimism for future creative endeavours, ending the event with heartfelt gratitude for the audience’s encouragement.With its emotional resonance, professional craftsmanship, and universal theme, “Erero Eero” stands out as a fresh milestone in Telugu music.
The track is expected to connect with audiences and set a new standard in music video storytelling, cementing its place in the hearts of listeners across regions.
‘Mirai’ unfolds as an epic mytho-fantasy rooted in ancient legend and modern zeal. Following the devastating Kalinga war, Emperor Ashoka entrusts his nine powers within sacred scriptures protected across generations by chosen warriors.
In 2000, Mahabir Lama, also called Black Sword (Manchu Manoj), is hellbent on gathering all nine scriptures to gain immortality, plunging the world into peril after capturing eight.
The saga centers on Vedha Prajapathi (Teja Sajja), a carefree orphan from Hyderabad suddenly thrust into the heart of Ashoka’s legacy when the last scripture, Amaragrandham, comes into play. Guided by allies and his mother Ambika (Shriya Saran), Vedha faces the timeless battle: Can destiny and faith conquer evil? What is Mirai—just a book, or something infinitely greater?
Performances:
Teja Sajja shines in a witty youth role, but for determined warrior presence looks not matching.
Manchu Manoj delivers a fierce and memorable antagonist, his fiery gaze and potent dialogue making Mahabir a truly intimidating villain resemblance of Thanos but not used as much his as potential.
Shriya Saran surprises with emotional depth and presence, as her portrayal of Ambika forms the film’s emotional core, elevating key moments.
Ritika Nayak as Vibha brings charming grace, but her the character’s doesn’t have full potential which remains untapped.
Supporting performances from Getup Srinu, Jagapathi Babu, Jayaram, and others has passable not give much impact and Director Kishore Tummala and Venkatesh Maha are makes irritated and frustrated.
Highlights:
Visual & Technical Mastery: Mirai’s ₹25 crores budget delivers stunning VFX, dynamic production design, and expertly mounted action sequences that rival the mythic scale. Train fights, sword duels, and mythological flourishes—such as the divine Lord Sri Rama and Sampati bird sequences—make the experience truly cinematic.
Background Score & Cinematography: Gowra Hari’s electrifying score intensifies each moment some time feel Deja Vu of Hanu-Man or Ilayaraja Song (Takita Takita Tandana Song), while Karthik Gattamneni’s lens work conjures grandeur and intimacy. The VFX quality far exceeds expectations for the budget of Rs 25 Crores, solidifying the visual legacy.
Drawbacks
The film’s first half feels formulaic till Pre Interval which brisk pacing keeps it engaging and Second Half. The comedy track involving cameo policemen distracts from the otherwise tense narrative.
The lead heroine’s role—as Vibha—remains underdeveloped, with less impact in the later half.
The climax fails to meet the epic standard set by the rest of the film, resulting in a slightly subdued finale.
Technical Aspects
Remarkable technical scale: thunderous music, sharp editing, lavish production values, and immersive visuals keep the mythos grounded yet spectacular.
Writers blend mythology and modernity of Hanu-Man and Marvel Avengers Flavour for a screenplay that is tight and engaging at Pre Interval and Pre Climax Portion, though could have benefited from more complexity in the second half.
Verdict
‘Mirai’ is a grand and visually ambitious mytho-fantasy adventure anchored by commanding performances, especially by Shreya Saran and Manchu Manoj menacing as the villain.
Despite a predictable first half and a less-powerful climax, the film succeeds with imaginative sequences, high-octane action, and mythological grandeur. For fans of epic adventure, spiritual fantasy, and cinematic spectacle –
Mirai is a one time Watch Movie on the big screen, offering a vivid tapestry of legacy, sacrifice, and divine heroism, but not impact movie like Hanu-Man.
“Brahmanda” Pre-Release Event – A First-of-its-Kind Story Based on Oggu Artistes
Hyderabad:
The Telugu film industry has always cherished unique storytelling – while big-budget films are making global waves, small films with strong soul-stirring narratives continue to touch hearts. One such promising film is “Brahmanda”, which is all set for release this Friday.
What makes this project truly special is that it is the first-ever film made against the backdrop of Oggu artistes, giving audiences a glimpse into this culturally rich tradition.
Actress Aamani on “Brahmanda”
Renowned actress Aamani, who plays a pivotal role in the movie, expressed her emotional connection with the project at the pre-release event.
“Brahmanda will offer Telugu audiences a completely new cinematic experience. It is painful that our director Rambabu garu, who created such a meaningful film, is no longer with us. This film is a true tribute to his vision,” said Aamani.
Hero Bunny Raju Speaks
Lead actor Bunny Raju shared his excitement about portraying a memorable role in the film.
“This film gave me an outstanding character that I will cherish throughout my career. We are releasing it this Friday, and I urge everyone to watch it on the big screen. Don’t miss the climax – it’s an unforgettable cinematic moment,” he said.
Producer Dasari Suresh’s Emotional Note
Producer Dasari Suresh highlighted how the team stood true to their vision from script to screen.
“We visualized this story at the script stage and executed it exactly the way we had planned, perhaps even better. It saddens us that our director Rambabu garu is no longer alive to witness his dream on screen.
Special thanks to Aamani garu, Balagam Jayaram garu, Komurakka garu, and every artist who gave their heart and soul to this film,” he said.
Film Credits at a Glance
Cast: Aamani, Balagam Jayaram, Komurakka, Bunny Raju, Kanikavadwa, Chatrapathi Sekhar, Amit, Dil Ramesh, Prasanna Kumar, Devisri, Karthanandam & many others.
1990’s Movie Trailer & Songs Launched Grandly in Hyderabad
All Set for a Multi-Lingual Theatrical Release This September
Hyderabad witnessed a grand celebration with the launch of the trailer and songs of the much-awaited film “1990’s”, unveiled by Directors’ Association President Veerashankar.
The event saw filmmakers, journalists, and cinema lovers come together to support this new-age film that is gearing up for a grand theatrical release in September 2025 across Kannada, Telugu, Tamil, and Malayalam languages.
About the Film
“1990’s” stars Arun Rayadurgam and Rani Varada in the lead roles. Produced under the poetic banner Manasu Mallige, by Chandrashekar B.S., and directed by debut filmmaker Nandakumar C.M., the movie promises to take the audience back to the rooted emotions and nostalgia of the 1990s era.
The technical crew includes:
Cinematography: Alesh S
Music: E.C. Maharaj
Editing: Krishna
Choreography: Sadiq Sardar
PRO: Lakshmi Nivas
The supporting cast features Puneet Sai, Swapna, Siddharth, Ramesh, and Devaraj.
Highlights from the Launch Event
Veteran filmmaker Veerashankar, who also celebrated his birthday on the occasion, praised the film’s visuals and its poetic yet mass appeal.
Film journalists Vinayak Rao, Prabhu, and Santosh Suresh complimented the music, trailer, and the fresh storytelling style, emphasizing that strong content always resonates with Telugu audiences.
Producer Chandrashekar B.S. expressed that the film was made not with calculations, but with pure passion: “1990’s is deeply rooted in our cultural values.
It was shot extensively in Telangana, Srirangapatna, and Mysore. We are confident that content-driven cinema always finds love with audiences.”
Director Nandakumar C.M. thanked the media and assured audiences that the film will deliver a fresh cinematic experience.
Hero Arun Rayadurgam highlighted the special attention given to the Telugu version, while Heroine Rani Varada promised audiences heartfelt performances.
Music Director E.C. Maharaj, making his Telugu debut, promised engaging and soulful tracks.
Why to Watch 1990’s
A nostalgic and rooted storyline with mass appeal, infused with poetic touches.
Multi-lingual release: Kannada, Telugu, Tamil & Malayalam.
Strong content backed by passionate new-age filmmakers.
An emotional throwback to the 1990s era, rich in culture and storytelling.
Stay Updated
Check the film’s official listing on IMDb (update once live).
Book your tickets for the theatrical release soon via BookMyShow (listing link to be updated).
Actress Mahati’s Legacy of Successful Openings; Mana Inti Bhojanam Best Restaurants in Bachupally
Mana Inti Bhojanam Restaurant Grand Opening in Bachupally, Hyderabad by Actress Mahati
Mana Inti Bhojanam restaurant, a premium destination for authentic home-style Telugu cuisine, is now open in Bachupally, Hyderabad. The inauguration ceremony was graced by renowned television actress Mahati, famous for not just her stellar serial performances but also for her association with several profitable restaurant launches in Hyderabad. Her support for new ventures is well-known and lauded.
Mana Inti Bhojanam – Bachupally’s Home-Cooked Flavours
Located conveniently at Bachupally crossroads, opposite the petrol bunk, Mana Inti Bhojanam is positioned to become the most sought-after restaurant for residents, office-goers, and food enthusiasts in Hyderabad who crave homemade taste and warm hospitality. With a wide menu that highlights traditional Telugu recipes, the restaurant stands out with its order-based catering service—perfect for family events and functions.
Actress Mahati’s Legacy of Successful Restaurant Openings
Actress Mahati, with her charismatic presence, has been instrumental in bringing visibility and growth to multiple dining establishments across Hyderabad. Her involvement with Mana Inti Bhojanam adds value to the brand and assures customers of a quality experience. Mahati’s endorsement is a mark of trust in the Hyderabad restaurant industry, attracting attention from both diners and investors.
Restaurant Owner’s Statement
Restaurant proprietor Nani expressed his heartfelt gratitude to Mahati for attending the launch, noting her unwavering encouragement and goodwill. Her history of supporting community-driven food ventures has played a crucial role in the local culinary landscape. Nani and Padma, the partners behind Mana Inti Bhojanam, aim to set new standards for taste and service in Bachupally.
Experience Mana Inti Bhojanam – The Telugu Food Destination
Centrally located in Bachupally, Hyderabad for easy access.
Specializing in real home-style Telugu meals for dine-in and catering.
Well-suited for family gatherings, events, and celebrations.
Backed by the presence and praise of actress Mahati, symbolizing quality and community support.
Mana Inti Bhojanam is designed to cater to all those who search for the best restaurant in Bachupally Hyderabad, seeking homemade meals, catering services, and a welcoming ambience. Make sure to visit and experience why Mana Inti Bhojanam, launched by Mahati herself, is the trending restaurant on all local search engines in Hyderabad.
“Oka Parvathi Iddaru Devadasulu” Producers Cry Betrayal – A Harsh Warning to Future Investors
Hyderabad: The film industry has once again revealed its dark underbelly. The producers of the upcoming film Oka Parvathi Iddaru Devadasulu — Mr. K. Murali (Sharath Varma) and Mr. B. Anand Babu — have spoken out in sheer distress over what they allege to be blatant fraud, cheating, and criminal breach of trust.
According to the producers, they invested nearly ₹2 crore of their hard-earned money into the production of the film. All expenses, from shooting to post-production, were entirely borne by them. On 12th September 2024, the other party, Mr. Ramakrishna Thota, is said to have voluntarily transferred all rights, copyrights, and intellectual property pertaining to the film into their names, acknowledging his inability to repay the amount.
However, in an astonishing turn, Mr. Thota allegedly began parading the film as his own, publishing posters and titles in newspapers without authorisation. The producers described this as “an outrageous act of professional treachery” and vowed to drag the matter into court under IPC Sections 406 and 420 (criminal breach of trust and cheating), alongside provisions of the Copyright Act, 1957.
🎬 A Warning for Potential Investors
This case underlines a brutal truth: the Indian film industry is not a playground—it is a minefield.
Loss of Wealth: Investors routinely pump in crores only to watch their money evaporate due to disputes, sabotage, delays, or outright fraud.
Legal Nightmares: Most contracts in the film business are loophole-ridden, leaving investors vulnerable to years of litigation hell.
Reputation Risk: Accusations and scandals spread like wildfire in cinema circles, destroying personal and professional reputations.
Threat to Safety: Film disputes are not confined to legal papers. In the past, cases have spiralled to physical threats, harassment, and life-endangering confrontations.
🔴 Investors Should Stay Away — Or Pay the Price
If you are considering an investment in films, let this case serve as a warning. The glamour hides a predatory industry where newcomers and financiers are stripped of dignity, security and money.
“No law currently provides ironclad protection for film investors,” the producers said in their press appeal. “If the rights and safety of genuine financiers are not safeguarded, this industry risks collapse. Investors’ lives are in danger.”
⚖️ Legal Sections at Play
IPC, 1860 Section 406: Criminal Breach of Trust — imprisonment up to 3 years or fine or both.
IPC, 1860 Section 420: Cheating and Dishonestly Inducing Delivery of Property — punishment up to 7 years imprisonment and fine.
Copyright Act, 1957: Unauthorised reproduction or use of copyrighted content, with both civil and criminal penalties.
Tollywood: Trap of Ruin – Investors Lose Crores, Peace, and Safety”
“Producers Betrayed, Investors Warned: Cinema Finances Are a Death Trap”
“Invest in Cinema Today, Lose Money and Sleep Tomorrow”
“From Silver Screen to Dark Prison: IPC Sections 406 & 420 Haunt Film Financiers”
💀 Final Word – An Industry of Broken Promises
The world of films runs on dreams — but dreams backed by investors’ money often turn into nightmares. This case is not an isolated incident; it is a reflection of the systemic dangers faced by anyone daring to invest.
If you value your health, wealth, and dignity, stay far away from investing in the film industry. The glitter is nothing more than a dangerous mirage.
⚠️ Investor Advisory: Entering the film industry is not an opportunity — it is an existential risk. Protect your future. Do not invest.
